The Mariinsky Orchestra (Kirov Orchestra of the Mariinsky Theatre)
The orchestra of the Mariinsky Theatre enjoys a long and distinguished
history as one of the oldest musical institutions in Russia. Founded in
the 18th century during the reign of Peter the Great, it was known before
the revolution as the Russian Imperial Opera Orchestra. Housed in St. Petersburg´s
famed Mariinsky Theatre (named after Maria, the wife of Czar Alexander
II) since 1860, the Orchestra entered its true "golden age" during
the second half of the 19th century under the music direction of Eduard
Napravnik (1839-1916). Napravnik single-handedly ruled the Imperial Theatre
for more than half a century (from 1863-1916) and under his leadership,
the Mariinsky Orchestra was recognized as one of the finest in Europe.
He also trained a generation of outstanding conductors, developing what
came to be known as "the Russian school of conducting."
The Mariinsky Theatre was also the birthplace of numerous operas and
ballets which are meanwhile regarded as masterpieces of the 19th and 20th
century. World premiere performances include Glinka´s Life of a Tsar
and Ruslan and Liudmila, Borodin´s Prince Igor, Musorgsky´s
Boris Godunov and Khovanshchina, Rimsky-Korsakov´s Maid of Pskov,
The Snow Maiden and Legend of the Invisible City of Kitezh, Tchaikovsky´s
The Queen of Spades, Iolanta, Swan Lake, Nutcracker and Sleeping Beauty,
Prokofiev´s The Duenna, as well as operas by Shostakovich and ballets
by Khachaturian.
Peter Ilyich Tchaikovsky was closely associated with the Mariinsky Theatre,
not only conducting the orchestra but also premiering his Fifth Symphony
there, as well as the fantasy overture Hamlet and the Sixth Symphony. Sergey
Rakhmaninov conducted the Orchestra on numerous occasions, including premieres
of his Spring Cantata and the symphonic poem The Bells. The Orchestra also
premiered the music of the young Igor Stravinsky, such as his Scherzo Fantastique
and the suite from The Firebird ballet.
Throughout its history, the Mariinsky Theatre has presented works by
Europe´s leading opera composers. In 1862, Verdi´s La Forza
del Destino was given its world premiere at the theatre in the presence
of the composer. Wagner was a favorite at the Mariinsky Theatre, where
his operas were frequently performed from the 19th through the beginning
of the 20th century, including the first Russian performances of the complete
Ring cycle, Tristan und Isolde, Die Meistersinger and Parsifal. The Ring
cycle was conducted by Hans Richter, who was the first to conduct the complete
Ring in Bayreuth and at Covent Garden.
The Mariinsky Orchestra also gave the first Russian performances of
Richard Strauss´ Elektra, Salome and Der Rosenkavalier, and Berg´s
Wozzeck in a production that took place two years after its world premiere
in Berlin and twenty years before its premiere in Vienna.
By 1917 the orchestra´s name had changed to the Royal Imperial Theatre
Orchestra, and was regarded as St. Petersburg´s leading symphony
orchestra. Its repertoire - operatic and orchestral - has traditionally
included not only music of Russian composers, but also of European composers.
Numerous internationally famous musicians conducted the Orchestra, among
them Hans von Bulow, Felix Mottl, Felix Weingartner, Alexander von Zemlinsky,
Otto Nikisch, Willem Mengelberg, Otto Klemperer, Bruno Walter and Erich
Kleiber.
On two occasions, in 1847 and 1867, Hector Berlioz conducted performances
of his own works, including The Damnation of Faust, Romeo and Juliet, Symphony
Fantastique and Harold in Italy. Berlioz wrote in his memoirs "Such
an orchestra! Such precision! Such an ensemble!". And in a letter
dated December 1867, he stated: "I don´t think Beethoven ever
had a better performance of his compositions!" In March and April
1863, Richard Wagner visited St. Petersburg and led the Royal Imperial
Theatre Orchestra in six programs of Beethoven Symphonies and his own compositions,
including the world´s first concert performance of Prelude und Liebestod.
Gustav Mahler appeared with the Orchestra in both 1902 and 1907, conducting
five concerts, including a performance of his Fifth Symphony. In 1912,
Arnold Schoenberg conducted the premiere of his symphonic poem Pelleas
and Melisande.
Renamed the Kirov Opera during the Soviet era, the orchestra continued
to maintain its high artistic standards under the leadership of Evgeni
Mravinsky and Yuri Temirkanov. In 1988, Valery Gergiev was elected artistic
director of the opera company and in 1996 the Russian Government appointed
him as Artistic and General Director of the Mariinsky Theatre. Soon after
the city of Leningrad was renamed St. Petersburg, the Kirov Theatre reverted
to its original title of the Mariinsky Theatre, home to the Kirov Opera,
the Kirov Ballet, and the Kirov Orchestra.
Under the leadership of Valery Gergiev, the Mariinsky Theatre has forged
important relationships with the worlds´ greatest opera houses, among
them the Metropolitan Opera House, London´s Royal Opera House, the
San Francisco Opera, the Theatre Chatelet in Paris La Scala in Milan just
to name a few. Besides extensive touring of the opera and the ballet company,
the Kirov Orchestra has performed throughout world and has become one of
the outstanding orchestras. The success of the orchestra´s continual
travelling has lead to the reputation of, what a journalist called, "the
world´s first global orchestra".
In 1998, the orchestra made its debut tour of China, an historic first,
with a performance in the Great Hall in Beijing, broadcast to 50 million
people, in the presence of President Jiang Zemin. It was the first time
in 40 years that a Russian orchestra had been in China.
Under the baton of Valery Gergiev, the orchestra has recorded exclusively
for Phillips Classics since 1989. Releases include the complete operas
Khovanshchina, War and Peace, Sadko, Prince Igor, The Queen of Spades,
Ruslan and Lyudmila, Iolanta, Fiery Angel (winner of the 1996 Gramophone "Opera
of the Year´ award), La forza del destino, Boris Godunov (1869 and
1872 version), Mazeppa, Betrothal in the Monastery, Love for Three Oranges
and Semyen Kotko. In addition the orchestra recorded the complete ballets
Romeo and Juliet, Sleeping Beauty and The Nutcracker.
In July 2000, the orchestra and chorus of the Mariinsky Theatre recorded
Verdi´s Requiem and other releases of orchestral music include Shostakovich´s
Symphony No 8, Rakhmaninov´s Symphony No2, Stravinsky´s Firebird¦and
The Rite of Spring, Skriabin´s Poem of Ecstasy and Prometheus as
well as the complete Piano Concerti by Prokofiev.
Valery Gergiev, Artistic & General Director of
the Mariinsky Theatre
Graduated in symphony conducting from the Leningrad Rimsky-Korsakov
Conservatoire (class of Professor Musin). At age 23, he won the Herbert
von Karajan Conducting Competition in Berlin and, while still a student
at the Conservatoire, was invited to join the Kirov Theatre.
Conducted at the Kirov Theatre from 1977. From 1981-85, he was also Principal
Guest Conductor with the State Symphony Orchestra of Armenia.
At the age of 35, Valery Gergiev was appointed Artistic Director of the
Opera Company and, from 1996, has been Artistic and General Director of
the Mariinsky Theatre.
Throughout his years of dedication to the theatre, the Maestro´s
main aim has always been to make the Mariinsky Opera Company the best in
the world. Over the last fifteen years, the repertoire has undergone unprecedented
development. The Mariinsky Theatre has staged operas including Mozart´s
Don Giovanni, Musorgsky´s The Sorochinsky Fair, Boris Godunov and
Khovanshchina, Verdi´s Otello, Aida, La forza del destino, Don Carlos,
Macbeth, Un ballo in maschera and La traviata, Prokofiev´s Fiery
Angel, The Gambler, War and Peace, Betrothal in a Monastery and Semyon
Kotko, Rimsky-Korsakov´s The Maid of Pskov, Sadko, Kashchei the Immortal,
The Legend of the Invisible City of Kitezh and the Maid Fevronia and The
Tsar´s Bride, Shostakovich´s Katerina Ismailova, Strauss´ Salome
and Tchaikovsky´s Mazepa, The Queen of Spades and Eugene Onegin.
The return of Wagner´s operas Lohengrin, Parsifal and Der Fliegende
Holländer to the St Petersburg stage are among some of the highlights,
to say nothing of the production of the entire Der Ring des Nibelungen
tetralogy of Das Rheingold, Die Walküre, Siegfried and Die Götterdämmerung
in the original German, a unique and unprecedented event in Russia. In
the recent 2004-2005 season alone, the Mariinsky Opera Company presented
seven premieres - Rimsky-Korsakov´s The Tsar´s Bride and The
Tale of Tsar Saltan, Puccini´s Madama Butterfly, Bizet´s Carmen,
Verdi´s Rigoletto, Rossini´s Il viaggio a Reims and Wagner´s
Tristan und Isolde. Valery Gergiev is the founder and artistic director
of many international music festivals including For Peace in the Caucasus
(Vladikavkaz), the Mikkeli Festival (Finland), the Red Sea Festival (Eilat),
the Kirov Philharmonic (London), the Rotterdam Philharmonic-Gergiev Festival
(the Netherlands) and the Moscow Easter Festival. He organised and ran
a Musorgsky Festival (1988), a Prokofiev Festival (1991, 1992), presenting
a wide spectrum of the composer´s works including four opera premieres
(War and Peace, Love for Three Oranges, The Gambler and []iFiery Angel),
several symphonies and cantata-oratory works, and a Rimsky-Korsakov in
the 20th Century festival (1994), which had a great influence on world
musical culture. Lastly, of course, Valery Gergiev is also the inspiration
and energy behind St Petersburg´s annual Stars of the White Nights
festival, which he established in 1993.
In the 2004-2005 season, Valery Gergiev initiated a world-wide series
of charity concerts entitled Beslan. Music for Life. Under the Maestro´s
direction, concerts were held in New York, Paris, London, Tokyo, Rome and
Moscow.
It was Valery Gergiev who first envisaged artistic co-operation between
the Mariinsky Theatre and the world´s leading opera houses, among
them the Metropolitan Opera, Covent Garden, the Teatro Carlo Felice, the
San Francisco Opera, La Scala, the New Israeli Opera and the Théâtre
du Châtelet. Valery Gergiev is one of the finest conductors of our
time. He works with such renowned ensembles as the Berliner Philharmoniker,
the London Symphony Orchestra, the Royal Philharmonic Orchestra (UK), L´Orchestre
National de France, Swedish Radio Orchestra and the symphony orchestras
of San Francisco, Boston, Toronto, Chicago, Cleveland, Dallas, Houston,
Minnesota, Montreal and Birmingham. He has been Principal Guest Conductor
of the Rotterdam Philharmonic since 1995 and of the Metropolitan Opera
from 1997 to 2002. From 1 January 2007 Valery Gergiev will be Principal
Conductor of the London Symphony Orchestra.
Under Valery Gergiev´s management, the Mariinsky Theatre has toured
extensively, performing to great acclaim in countries all over Europe,
in North and South America, China, Japan and Australia. The Mariinsky Theatre´s
summer tours to London have long since become a tradition. The most recent
performances by the Mariinsky Theatre on the famed stage of the Royal Opera
House, Covent Garden, took place in July and August 2005. The tour began
with performances of ballets in the classical repertoire as well as one
of the theatre´s latest acquisitions - the ballets of William Forsythe.
The opera company staged performances of Musorgsky´s Khovanshchina
and Boris Godunov and Puccini´s Turandot before the London public.
Special mention must be made of the now long established partnership between
Maestro Gergiev and Philips, which has resulted in the production of over
thirty compact disc recordings.
Together with the Mariinsky Theatre and Rotterdam Philharmonic Orchestras,
he has conducted recordings of operas, ballets and concert programmes from
his vast repertoire which includes works by Russian and non-Russian composers
alike, among them Glinka, Tchaikovsky, Musorgsky, Rimsky-Korsakov, Stravinsky,
Shostakovich, Prokofiev, Bizet, Berlioz, Verdi, Brahms and Bruckner.
Maestro Gergiev´s artistic achievements have brought him many awards
and titles. He holds the titles of Honoured Worker for the Arts of Russia
(1983) and People´s Artist of Russia (1996). In the same year, the
jury of the International Classical Music Awards conferred upon him the
title of Conductor of the Year. He was awarded the State Prize of Russia
in 1994 and 1999. As Best Conductor, he was awarded the Russia´s
highest theatre prize Golden Mask (1996 -2000) and the St Petersburg´s
highest theatre prize Golden Sophit, in 1997, 1998, 2000 and 2003. In 1998,
Philips Electronics awarded him a special prize for his outstanding contribution
to music, which he donated to the development of the Mariinsky Theatre
Academy of Young Singers. In 2000, Valery Gergiev was made a full member
of the International Academy of Arts. In the same year, he was awarded
the highest prizes of Russia - the Order of Friendship and Armenia - the
Order of St Mesrop Mashtots. Maestro Gergiev has also been decorated with
Germany´s Bundesverdienstkreuz (first class), Italy´s Grand
Ufficiale al Merito and France´s L´Ordre des Arts et des Lettres.
In 2002, he received the Russian Presidential Prize for his outstanding
contribution to arts and sciences.
In March 2003, he was made an Artist of the World by UNESCO. In April
2003, was decorated with the order For Services to the Fatherland, third
class. In June 2003, the Patriarch of All Russia Alexei II awarded Valery
Gergiev the Order of St Prince Daniil of Moscow of the Russian Orthodox
Church, third class, for participating in charitable and cultural programmes
of the Russian Orthodox Church. Awarded the medal In Commemoration of the
Tercentenary of St Petersburg. In November 2003, Valery Gergiev was presented
with the National Pride of Russia award in the category For an outstanding
contribution to cultural development and Russia´s highest public
award For Work and the Fatherland.Valery Gergiev has been awarded the Crystal
Prize for his dedication to the arts and his contribution to cultural dialogue;
the prize was presented by the World Economic Forum in Davos. In April
2004, Valery Gergiev was made a People´s Artist of Ukraine, the country´s
highest State award, in recognition of his "important contribution
to the development of cultural relations between Ukraine and Russia and
his many years of fruitful activity". Valery Gergiev has also been
awarded the Order of Danaker, presented by the Government of the Republic
of Kyrgyzstan.
In September 2005 Queen Beatrix of the Netherlands made Valery Gergiev
a Knight of the Order of the Dutch Lion. As the royal decree proclaimed,
the Russian musician received this eminent Dutch award for his exceptional
character, international importance and his worldwide activities in music.
In November 2005 Valery Gergiev has been awarded the Polar Music Prize
of the Swedish Royal Academy of Music for his "unique, electrifying
musicianship, which becomes ever richer with time and makes us re-examine
our attitudes to a great tradition". In February 2006 - has been awarded
the Herbert von Karajan Prize, which was founded by the Baden-Baden Music
Festival - Valery Gergiev was named "one of the most important cultural
figures of our age". In March 2006 Valery Gergiev has been awarded
a prize by the American-Russian Cultural Cooperation Foundation for his
outstanding contribution to the development of cultural relations between
Russia and the USA. In May 2006 Valery Gergiev has been awarded the Order
of Yaroslav the Wise, 5th Class, "for his significant personal contribution
to the development of cultural relations between Ukraine and the Russian
Federation, his true professionalism and long and successful career in
arts" and was awarded the Commanders´ Order of the Lion of Finland
- Finnish President Tarja Halonen awarded the Maestro with this national
award for his outstanding contribution to developing musical culture in
Finland and strengthening Russo-Finnish cultural relations.