Kings of the Dance

Kings Of The Dance Shows Ballet’s Athleticism, Comedy And Drama
Author: Laura Dodge
Date: March 21, 2014
Publisher: Londonist

Kings of the DanceSvetlana Lunkina & Ivan Vasiliev in Le Jeune Homme et la Mort.
Photo: Irina Lepnyova

For anyone who thinks ballet is all about tutus and swans, Kings of the Dance is the ideal show to challenge expectations. Five of the world’s top male dancers — Ivan Vasiliev, Marcelo Gomes, Roberto Bolle, Denis Matvienko and Leonid Sarafanov — show ballet’s great athleticism, comedy and drama across seven short works.

Opening the bill is Remanso, a trio choreographed by Nacho Duato. Playfully interacting with both an opaque screen at the back of the stage and Enrique Granados’s bright piano score, the dancers’ movements are cleverly constructed with moments of surprise and humour keeping us smiling and entertained.

The closing act is less exciting, though Vasiliev’s superb leaps (that are frequently the dancer’s own height off the floor) make up for less appealing choreography. Gomes’s KO’d also works well and is a fitting finale and showcase for all five dancers.

The evening’s undoubted highlight is Le Jeune Homme et La Mort (pictured), a narrative work in which a depressed young man is seduced into committing suicide by the temptress charms of Death (Svetlana Lunkina). Roland Petit’s choreography is extremely powerful, and both Vasiliev and Lunkina give impassioned and compelling performances. It’s the memory of the latter’s gloved hand preparing a noose and gesturing to our tormented jeune homme to take his life that lingers at the end of the performance.